Museum Blockbuster Reading Answers

Dec 13, 2022

Museum Blockbuster Reading Answers contains 13 questions. IELTS reading section has 20 minutes to answer these questions. Museum Blockbuster Reading Answers consists of four types of questions including- choosing the correct letter, no more than three words, choosing two letters and choosing three letters. Choosing the correct letter and no more than three words requires candidates to identify the relevance of the options given from within the passage. Candidates must read the IELTS reading passage, identify keywords, and recognize synonyms to answer the question. It is important that candidates abide by the word limit as well as answer accurately for what is asked.

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Section 1

Read the Passage to Answer the Following Questions

Museum Blockbuster Reading Answers

Since the 1980s, the term “blockbuster” has become the fashionable word for the special spectacular museum, art gallery or science centre exhibitions. These exhibitions have the ability to attract large crowds and often large corporate sponsors. Here is one of some existing definitions of a blockbuster: Put by Elsen (1984), a blockbuster is a “… large scale loan exhibition that people who normally don’t go to museums will stand in line for hours to see …” James Rosenfield, writing in Direct Marketing in 1993, has described a successful blockbuster exhibition as a “… triumph of both curatorial and marketing skills …” My own definition for a blockbuster is “a popular, high profile exhibition on display for a limited period, that attracts the general public, who are prepared to both stand in line and pay a fee in order to partake in the exhibition.” What both Elsen and Rosenfield omit in their descriptions of a blockbuster, is that people are prepared to pay a fee to see a blockbuster and that the term blockbuster can just as easily apply to a movie or a museum exhibition.
Merely naming an exhibition or movie a blockbuster, however, does not make it a blockbuster. The term can only apply when the item in question has had an overwhelmingly successful response from the public. However, in literature from both the UK and USA the other words that also start to appear in descriptions of a blockbuster are “less scholarly”, “non-elitist” and “popularist”. Detractors argue that blockbusters are designed to appeal to the lowest common denominator, while others extol the virtues of encouraging scholars to cooperate on projects and to provide exhibitions that cater for a broad selection of the community rather than an elite sector.
Maintaining and increasing visitor levels is paramount in the new museology. This requires continued product development. Not only the creation or hiring of blockbuster exhibitions but regular exhibition changes and innovations. In addition, the visiting public has become customers rather than visitors, and the skills that are valued in museums, science centres and galleries to keep the new customers coming through the door have changed. High on the list of requirements are commercial, business, marketing and entrepreneurial skills. Curators are now administrators. Being a director of an art gallery no longer requires an Arts Degree. As succinctly summarised in the Economist in 1994 “business nous and public relation skills” were essential requirements for a director, and the ability to compete with other museums to stage travelling exhibitions which draw huge crowds.
The new museology has resulted in the convergence of museums, the heritage industry, and tourism, profit-making and pleasure-giving. This has given rise to much debate about the appropriateness of adopting the activities of institutions so that they more closely reflect the priorities of the market place and whether it is appropriate to see museums primarily as tourist attractions. At many institutions, you can now hold office functions in the display areas, or have dinner with the dinosaurs. Whatever commentators may think, managers of museums, art galleries and science centres worldwide are looking for artful ways to blend culture and commerce, and blockbuster exhibitions are at the top of the list. But while blockbusters are all part of the new museology, there is proof that you don’t need a museum, science centre or art gallery to benefit from the drawing power of a blockbuster or to stage a blockbuster.
But do blockbusters held in public institutions really create a surplus to fund other activities? If the bottom line is profit, then according to the accounting records of many major museums and galleries, blockbusters do make money. For some museums overseas, it may be the money that they need to update parts of their collections or to repair buildings that are in need of attention. For others in Australia, it may be the opportunity to illustrate that they are attempting to pay their way, by recovering part of their operating costs or funding other operating activities with off-budget revenue. This makes the economic rationalists cheerful. However, not all exhibitions that are hailed to be blockbusters will be blockbusters, and some will not make money. It is also unlikely that the accounting systems of most institutions will recognise the real cost of either creating or hiring a blockbuster.
Blockbusters require large capital expenditure, and draw on resources across all branches of an organisation; however, the costs don’t end there. There is a Human Resource Management cost in addition to a measurable ‘real’ dollar cost. Receiving a touring exhibition involves large expenditure as well, and draws resources from across functional management structures in project management style. everyone from a general labourer to a building servicing unit, the front of the house, technical, promotion, education and administration staff, are required to perform additional tasks. Furthermore, as an increasing number of institutions in Australia try their hand at increasing visitor numbers, memberships (and therefore revenue), by staging blockbuster exhibitions, it may be less likely that blockbusters will continue to provide a surplus to subsidise other activities due to the competitive nature of the market. There are only so many consumer dollars to go around, and visitors will need to choose between blockbuster products.
Unfortunately, when the bottom-line is the most important objective to the mounting of blockbuster exhibitions, this same objective can be hard to maintain. Creating, mounting or hiring blockbusters is exhausting for staff, with the real costs throughout an institution difficult to calculate. Although the direct aims may be financial, creating or hiring a blockbuster has many positive spin-offs; by raising their profile through a popular blockbuster exhibition, a museum will be seen in a more favorable light at budget time. Blockbusters mean crowds, and crowds are good for the local economy, providing increased employment for shops, hotels, restaurants, the transport industry and retailers. Blockbusters expose staff to the vagaries and pressures of the market place and may lead to creative excellence. Either the success or failure of a blockbuster may highlight the need for managers and policymakers to rethink their strategies. However, the new museology and the apparent trend towards blockbusters make it likely that museums, art galleries and particularly science centres will be seen as part of the entertainment and tourism industry, rather than as cultural icons deserving of government and philanthropic support.
Perhaps the best pathway to take is one that balances both blockbusters and regular exhibitions. However, this easy middle ground may only work if you have enough space, and have alternate sources of funding to continue to support the regular less exciting fare. Perhaps the advice should be to make sure that your regular activities and exhibitions are more enticing, and find out what your local community wants from you. The question (trend) now at most museums and science centres, is “What blockbusters can we tour to overseas venues and will it be cost-effective?”

Section 2

Solution and Explanation
Questions 1-4:
The reading Passage has seven paragraphs A-H. Which paragraphs contain the following information?
Write the correct letter A-H, in boxes 1-4 on your answer sheet.
NB: You may use a letter more than once.

A reason for changing the exhibition programs.
The time people have to wait in a queue in order to enjoy exhibitions.
Terms people used when referring to blockbuster.
There was some controversy over confining target groups of blockbusters.

Question 1:

Answer: C
Supporting Sentence: Maintaining and increasing visitor levels is paramount in the new museology.
Keyword: Maintaining, museology
Keyword location: Para C, lines 1-2
Explanation: ‘Maintaining and increasing visitor levels is paramount in the new museology.’ is a very valid reason as to why the museum should change exhibition programs. This is because as the number of visitors increases so does the capability of the museum to compete with another museum.

Question 2:

Answer: A
Supporting Sentence: Put by Elsen (1984), a blockbuster is a “… large scale loan exhibition that people who normally do not go to museums will stand in line for hours to see …” James Rosenfield, writing in Direct Marketing in 1993, has described a successful blockbuster exhibition as a “… triumph of both curatorial and marketing skills …”
Keyword: Rosenfield, Direct Marketing
Keyword location: Para A, lines 4-7
Explanation: Here as we see in the supporting sentence, people tend to stand for hours and hours just to enter the museum and enjoy the exhibitions when stated as blockbuster. Thus, stating the time people will wait and hence the answer.

Question 3:

Answer: B,
Supporting Sentence: Merely naming an exhibition or movie a blockbuster, however, does not make it a blockbuster.
Keyword: exhibition, blockbuster
Keyword location: Para B, lines 1-2
Explanation: In this answer we see the various names that are seen and used by the people while referring to a ‘blockbuster’

Question 4:

Answer: B,
Supporting Sentence: Detractors argue that blockbusters are designed to appeal to the lowest common denominator, while others extol the virtues of encouraging scholars to cooperate on projects, and to provide exhibitions that cater for a broad selection of the community rather than an elite sector.
Keyword: Detractors, blockbusters, denominator
Keyword location: Para B, line 5-7
Explanation: it is noticeably clear and evident that there was a controversy over the selection of the target audience regarding a blockbuster.

Questions 5-8:
Complete the following summary of the paragraphs of Reading Passage, using no more than three words from the Reading Passage for each answer.
Write your answers in boxes 5-8 on your answer sheet.

Instead of being visitors, people turned out to be____5_____, who require the creation or hiring of blockbuster exhibitions as well as regular exhibition changes and innovations. Business nous and ____6_____simply summarized in a magazine are not only important factors for directors, but also an ability to attract a crowd of audiences. _____7_____ has contributed to the linking of museums, the heritage industry, tourism, profit-making and pleasure-giving. There occurs some controversy over whether it is proper to consider museums mainly as_____8______.

Question 5:

Answer: Customers
Supporting Sentence: In addition, the visiting public has become customers rather than visitors, and the skills that are valued in museums, science centres and galleries to keep the new customers coming through the door have changed.
Keyword: customers, skills, science centres
Keyword location: Para C lines 3-5
Explanation: the visiting of public places like museums and science centres have now become more of a commercial activity. This involves customers rather than leisure activity for visitors.

Question 6:

Answer: Public Relation Skills
Supporting Sentence: As succinctly summarised in the Economist in 1994 “business nous and public relation skills” were essential requirements for a director, and the ability to compete with other museums to stage travelling exhibitions which draw huge crowds.
Keyword: Economist, travelling exhibitions
Keyword location: Para C, last three lines
Explanation: competition among museums became of huge importance to attract larger crowds so that they are able to hold effective exhibitions.

Question 7:

Answer: Museology
Supporting Sentence: The new museology has resulted in the convergence of museums, the heritage industry, and tourism, profit-making and pleasure-giving.
Keyword: museology, convergence, tourism
Keyword location: Para D, line 1
Explanation: the new museology has allowed museums to become more profitable and conserves the heritage and tourism industry on a higher scale.

Question 8:

Answer: tourist attractions
Supporting Sentence: This has given rise to much debate about the appropriateness of adopting the activities of institutions so that they more closely reflect the priorities of the market place and whether it is appropriate to see museums primarily as tourist attractions.
Keyword: institutions, the
Keyword location: para D, lines 2-4
Explanation: there has been a significant debate regarding whether to look for activities by these institutions in adoption of appropriateness enhancing the value of the museums in the marketplace or primarily ensuring it as a tourist attraction.

Questions 9-10:
Choose TWO letters A-E.
Write your answer in boxes 9-10 on your answer sheet.
The list below gives some advantages of blockbusters.
Which TWO advantages are mentioned by the writer of the text?

To offer sufficient money to repair architectures.
To maintain and increase visitor levels.
Presenting the mixture in the culture and commerce of art galleries and science centres worldwide.
Being beneficial for the development of local business.
Being beneficial for the directors.

Question 9:

Answer: A
Supporting Sentence: For some museums overseas, it may be the money that they need to update parts of their collections or to repair buildings that are in need of attention.
Keyword: museums overseas, repair buildings
Keyword location: Para E, lines 3-4
Explanation: overseas museums might consider the need for money as part of their lifestyle. It can be used for repairing buildings or updating parts of a collection.

Question 10:

Answer: D
Supporting Sentence: Blockbusters mean crowds, and crowds are good for the local economy, providing increased employment for shops, hotels, restaurants, the transport industry, and retailers.
Keyword: Blockbusters, crowds, local economy
Keyword location: Para G, lines 6-9
Explanation: blockbusters for museums implies that the local economy would flourish resulting in higher employment, transport retailers etc.

Questions 11 – 13:
Choose THREE letters A-F.
Write your answer in boxes 11-13 on your answer sheet.
The list below gives some disadvantages of blockbuster.
Which THREE disadvantages are mentioned by the writer of the text?

People felt hesitated to choose exhibitions.
Workers has become tired of workloads.
The content has become more entertaining rather than cultural.
General laborers are required to perform additional tasks
Huge amounts of capital invested in specialists.
Exposing staff to the fantasies and pressures of the market place.

Question 11:

Answer: B
Supporting Sentence: Creating, mounting or hiring blockbusters is exhausting for staff, with the real costs throughout an institution difficult to calculate
Keyword: Creating, blockbusters
Keyword location: Para G, lines 2-4
Explanation: the real costs become difficult for the staff to calculate when the requirement for hiring blockbusters arises

Question 12:

Answer: C
Supporting Sentence: The new museology and the apparent trend towards blockbusters make it likely that museums, art galleries and particularly science centres will be seen as part of the entertainment and tourism industry, rather than as cultural icons deserving of government and philanthropic support.
Keyword: museums, art galleries, science centres
Keyword location: Para G, last 4 lines
Explanation: with the new trend of blockbusters becoming important it can be seen more as a part of the entertainment industry rather than as cultural icons.

Question 13:

Answer: E
Supporting Sentence: Blockbusters require large capital expenditure, and draw on resources across all branches of an organisation; however, the costs do not end there. There is a Human Resource Management cost in addition to a measurable ‘real’ dollar cost.
Keyword: resources, Human Resource Management
Keyword location: Para F lines, 1-3
Explanation: the resources and costs involved for enduring blockbusters museums is quite high. All branches of organisations are involved along with the human resource management.

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